Speakers

Opening Speaker: David Bruce, Chair of Glasgow Film Theatre

Papers

Gail Ashurst
“Made in Summerisle, conceivably: Made in Britain, most definitely!” National Identity and Responses to the US remake of The Wicker Man.
Adan Avalos
The Naco in Mexican Film: Border cinema and Migrant Audiences
Tomas Axelsson
Movies, Mind and Meaning — Studying Audiences and Favourite Films
Martin Barker
Researching Audiences Across Countries and Cultures
Vincent Bouchard
The Role of the bonimenteur in the Film Reception in Zair
Brigid Cherry:
Gothics and Grand Guignols: the Female Audience and the Gendered Aestetics of Cinematic Horror
Oluyinka Esan
Audience Pleasure and Nollywood Success
Charlotte Hains Lyon
Kill Bill 2: A "Worthy" Film for Meaning-making
Amy Hardie
Analysis of Cross-European Focus Groups on Cinema Documentary Audiences
Emily Munro
Managing ‘The Audience’ (work in progress)
Melanie Selfe & Martin Barker
Researching 'Risky' Audiences
Lisa Shaw
Stardom and Memory in Brazil: Remembering the Stars of 1950s’ Brazilian Musicals
Maria Antonia Vélez-Serna
The Construction of Popular Taste According to Colombian Film Makers of the 1940s